There are two passages in which the poet introduces a full moon to accentuate a particular aspect of a scene in his narrative; 1.1228–33 and 4.166–71. I shall concentrate on the second. Commentators have contributed various suggestions but failed to understand the specific erotic-nuptial connotation of the full moon. The same applies to the more specialized contributions of Drogemiiller and Rose. I shall first present the evidence for the nuptial associations of the full moon, then apply this idea to the (...) Apollonian passages, especially 4.166–71, and finally add a remark about the special effect obtained by Apollonius here in relation to an Homeric passage. (shrink)

This passage is interpreted by all commentators and translators as follows: ‘Or how shall we call it glorious that I went out to fight the hydra and the lion at the command of Eurystheus—and shall I not labour to shield off death from my own children ?’ The purpose of my note1 is to suggest that we have here a very remarkable use of the verb , and that Euripides used it here with a precise and subtle intention.